Anthony Williams maintains a high frequency of performing in classical, jazz, and new music settings. His debut solo album, “Synthesis,” is a collection of five newly-commissioned works for solo trombone scored with various ensemble settings. The goal of this project was to create new solo trombone pieces that feature influences from classical, Latin, and jazz styles. Other recent projects include Dr. Williams performing as lead trombonist with the Mike Waldrop Big Band on recently released albums, “Origin Suite” and “Time Within Itself.” Additional recording credits include “Grosso for Trombone and Electronics” for Mexican-born composer, Jorge Sosa’s album, “Plastic Time,” and albums by UNI alums Ryan Middagh and Dave Lisik. Upcoming projects include recording as soloist on “Itty-Bitty Blues Opera” by David Peoples(2021)

He is principal trombonist of the Waterloo-Cedar Falls Symphony and performs regularly with other orchestras in the region. His current jazz and commercial music performance activity includes regular appearances with local and regional groups such as The Iowa Jazz Composers Orchestra, Orquesta Alto Maiz, NOLA Jazz Band, Big Fun, and many others. Williams’ past experiences include engagements with the Memphis Symphony, Memphis Jazz Orchestra, Ray Charles Orchestra, Arkansas Symphony, Dirty Dozen Brass Band, Natalie Cole, and Aretha Franklin.

​He is a member of the International Trombone Association and the Jazz Education Network.

Dr. Williams earned degrees from the University of Central Arkansas (BM), University of Northern Iowa (MM), and the University of Memphis (DMA).

The Teacher

Dr. Anthony Williams is Professor of Trombone at the University of Northern Iowa. He teaches courses in applied trombone, chamber music, trombone pedagogy, trombone literature, and low brass techniques. He also serves as a member of UNI’s jazz faculty by teaching courses in applied jazz trombone and directing the UNI Jazz Trombone Ensemble.

A Glimpse of My Teaching

I strive to demonstrate professionalism, care, and passion for everything related to my teaching. As a professional, I remain active as a performer and stay current with the latest research, publications, performance practices, and pedagogy. My students learn who I am and how I maintain success as a teacher and performer. My primary objective is to offer my teaching and performing expertise in a way to best prepare my students for a career in the field of music whether it be education, performance, business, therapy, technology and beyond.

My students encounter a positive learning environment that promotes confidence and growth. Student backgrounds and levels of ability will always vary thus they are recognized as individuals and interacted with on a personal level. There is a strong sense of community in my studio. Members are expected to be respectful, courteous, nurturing, open-minded, and forward-thinking.

Beyond teaching students how to play the trombone and how to practice, I also help them become successful teachers. Members of my studio will encounter a curriculum that prepares them to perform classical, jazz, and commercial styles with poise and confidence. Students participate in solo, chamber, and large ensembles to utilize the skills they learn from applied lessons in addition to the guidance they receive from ensemble directors and coaches. All of these experiences are sure to produce a musician that is versatile, which is essential for an artist in the twenty-first century.

I have always enjoyed teaching as much as I have enjoyed performing. I am fortunate to have had teachers instill skill and motivate me. I endeavor to show my passion for music in hopes that I mold and inspire my students to become the best performers, teachers, and people they can be. The success of one’s students is the ultimate reward of teaching. Williams is a professional trombonist and dedicated educator, combining performance experience with clear, encouraging instruction for musicians at every stage.

Upcoming Events

August 14, 2026 “Show Business” at Noce Jazz in Des Moines, IA 7 PM.

An elegant concert hall interior with a single trombone positioned on a low stand at the front of the stage, facing rows of empty plush red seats. The stage floor is polished wood, reflecting a soft, golden halo around the instrument. Overhead, warm spotlights converge to create a subtle pool of light centered on the trombone’s bell and slide, leaving the rest of the hall in deeper, atmospheric shadow. Shot from the back of the hall with a long lens, compressing the distance so the instrument stands out crisply against the cascading seats. Photographic realism with a dramatic yet refined mood, emphasizing the trombone’s role in professional performance venues.
A low-angle, photographic view of a trombone section setup on a rehearsal stage, with three empty black chairs and three pristine brass trombones resting on stands in front of matching black music stands. The background hints at a larger symphony orchestra layout with blurred percussion instruments and a double bass, all unoccupied. Cool, even rehearsal lighting from overhead fixtures creates soft reflections on the bells and slides without harsh glare. The composition leads the eye diagonally through the row of instruments, using moderate depth of field for clarity and depth. The atmosphere is focused and professional, capturing the ensemble context of advanced trombone performance and collaboration.
A meticulously arranged recording studio scene centered on a solo trombone standing before a large-diaphragm condenser microphone with a pop filter, both on adjustable stands. Behind them, a window into a control room reveals softly glowing mixing consoles and studio monitors, all unoccupied. Dark acoustic panels line the walls, contrasted by warm wood flooring and a subtle patterned rug under the stands. Controlled studio lighting provides a gentle key light from the left and a faint rim light from behind, outlining the silhouette of the trombone’s bell and slide. Photographic realism with a cinematic, focused mood, framed at chest height with a medium shot that emphasizes professional recording of trombone performance.

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Contact Anthony

Reach out to inquire about trombone lessons, masterclasses, or performance bookings for your concert series, school, or special event.

123 Example Street, San Francisco, CA 12345(123)-456-7890

By appointment only